Perhaps the first in a series, perhaps not. I don't need to tie myself down but at least I'll know I've set up a place to express stuff that ain't that great, not that the world around me stops me doing that or fails to find a natural compartment for it to reside in.
So - number one. It's not in order of importance, or chronology, or all that much. And it's not soap operas, in spite of my initial leanings. The moniker for this blog is purely circumstantial/parodical/necessary (delete as appropriate).
What is it then? Why of course, the live recording. The infamous holy moly inhabitant of the end of the CD, the B-side, the special edition digipak or whatever.
If I want to see the artist live, then I will; if I want to remember what they were like, I'll use my memory; if I want to listen to other people getting excited I'll , er... ok pass, maybe I'll just not really want to do that.
The purpose of issuing a live recording? Dunno. For completion's sake, perhaps - but B-sides/demos/remixes (dependingly) seem so much more productive. I'm on auto-pilot to skip the live recordings on any 'bonus edition' type thing, it's an auto-synapse of sorts.
Maybe it's because I want to get involved - not many people seem to agree with me, so does that mean they're happy not even being there? I don't want to get involved enough to be on the stage myself. Well, at least not on their stage (fuck, this is circular).
Ok. Take five.
"I don't like live recordings, they make me wince/I need to know if that is just... arrogance" So there.